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Whipkey Underwater


Seeking the Magic ~  Fostering the Scene


It’s A Wrap


Home Boys


Not Fade Away:


Sevendust and Staind at Stir Cove


True Colors




Summer Music Preview


Taking Back Sunday and The Used at Sokol Auditorium


Against The Current

                  In the seemingly never-ending mission to group bands into a myriad of categories, Split Lip Rayfield has been allotted the “thrash-grass” label, which can be described as aggressive acoustic music with elements of punk and bluegrass. They’ve influenced a slew of other like-minded artists, but are careful not to take sole credit.
                 “I’ve never gotten any financial reward for coming...

One Tough Choice

The growing success of City & Colour became impossible to ignore for Dallas Green.

So did the trickiness of balancing the acoustic indie folk solo act with his status as a member of Canadian post-hardcore band Alexisonfire.

Green had spent a decade with Alexisonfire, but as City & Colour took off on its own rapid rise, Green musical life started to become too much to handle. In essence, it was like having two...

A Quick Q&A with Future Islands’ William Cashion

How to describe Future Islands' new record, On the Water (Thrill Jockey)? Well, if you're Pitchfork, who gave the record a 7.7 rating, you say: "With the songs' energy scaled back, the efforts of the other two band members come to the fore. Gerrit Welmers handles the keyboards and programming, bringing an evocative, setting-sun vibe to slowburners like "The Great Fire" (a soulful duet with Jenn Wasner of fellow...

Tight Knit

Manchester Orchestra kept the process all in the family on their third studio album, Simple Math.

Keyboardist Chris Freeman says the Atlanta band produced the record, released in May 2011, with longtime band collaborator Dan Hannon. Hannon has been a part of every album the band has made, Freeman says.

“He's been like one of our family members,” Freeman says.

Hannon pretty much functions as an extra band...

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