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Cutting Room

 

Save the World, Do Butt Stuff

 

Oopsie Genius

 

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I’m-a Let You Finish, But…

 

How to get Lonely, become Bulletproof, and create World Peace

 

Heaven is Overrated

 

50/50 = Zero

 

Why Ben Affleck’s Weiner Matters

 

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Man(agement) Slaughter

Let’s face it: Nobody likes their job anymore. For the past few years, those of us lucky enough to punch a clock have clung to our job like a leaky rubber raft in a sea of economic uncertainty. We keep waiting for a bigger, better boat to rescue us, but none ever do. Meanwhile, our raft has started micromanaging us. “Don’t stand up and look around,” it nags. “Just be happy you’re here,” it says. “Make sure those TPS...


Norwegian Troll Binge

Seemingly assembled from the recycled limbs and organs of cult films from various genres, Troll Hunter is an endearing little Frankenstein’s monster of a movie. Although writer/director André Øvredal uses the exhausted imaginative crutch that is the fake-documentary format, he does so with alternating strokes of whimsy and horror. Had his bearded, burly central character been less stoically Norwegian and more...


Cutting Room for July 6

  • You may not know it, but I’m a poet. Don’t let that stale and uninspired rhyme fool you, I’ve been a participant and fan of slam poetry since I learned how to wield awkward political metaphors with staccato delivery. Film Streams at the Ruth Sokolof Theater (filmstreams.org) must be enthusiasts too because they’re bringing Greg Jacobs, director of the slam poetry-centric documentary Louder Than a Bomb, for a Q&A on...


Hymn and Awe

In distinguishing between pretentious, inaccessible, pseudo-artistic prattle and actual works of genius, audiences ultimately wind up relying on Supreme Court justice Potter Stewart’s infamous method of determining what is and isn’t pornography: “I know it when I see it.” At the precise moment when writer/director Terrence Malick’s The Tree of Life becomes transcendent for some, it becomes laughable nonsense for...


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