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Film

The Bacon of Blockbusters

 

Unlucky Harms

 

Mocku-Dracu-mentary

 

Don’t Watch Once

 

Awful, Not Full of Awe

 

Define “Run”

 

Ending in the Middle Earth

 

World’s Greatest Mom

 

Chap-Hazard

 

Leni Riefen-stalling

 

The Burden of Actual Christianity

Most praise for writer/director Jesse Moss’s documentary, The Overnighters, has rightly been focused on its Steinbeckian nature and explosive revelations about struggling workers in North Dakota. That wasn’t the big takeaway for me. The big takeaway for me was how brutal the burden is for those who truly embrace the core conceits of the Christian faith and its insistence upon caring for any and all who need help, no...


Fury Is Missing Fast

Inside of writer/director David Ayer’s Fury is a tight, 90-minute, “we will hold this line” war movie populated with complex characters and surprisingly good performances. Problem is, it was slipped into the carcass of a dirty, confused, overly serious, inconsistently grotesque snoozer in which Shia LaBeouf cries so often you’ll want to beat the accountant’s mustache off his stupid face if you don’t already.

The...


Swimming in the Laika

From Ray Harryhausen’s Medusa to Henry Selick’s Jack Skellington, stop-motion animation is just frickin’ cool, yo. Maybe it’s the meticulous nature of the art form, with each tiny gesture by a character necessitating dozens of miniscule movements and hours of work from animators. Maybe it’s the fact that the shiny, smooth sheen on today’s CGI kiddie flicks seems less intimate, less hand-crafted, less inviting....


The Dies That Bind

“Hilarious!” say the trailers! “Really funny!” says the poster. “You are all sick people!” says me.

Yes, in parts, The Skeleton Twins is amusing. This is because stars Bill Hader and Kristen Wiig are incapable of being unfunny, especially when left alone together. But this is a movie that begins and ends with suicide attempts, contains an ongoing implosion of a marriage and explores whether one relationship counted...


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Ex Machina

A brilliant bit of science fiction that works like a tense stage play.

GRADE
A+

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Furious 7

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'71

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Kill Me Three Times

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