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Film

The Bacon of Blockbusters

 

Unlucky Harms

 

Mocku-Dracu-mentary

 

Don’t Watch Once

 

Awful, Not Full of Awe

 

Define “Run”

 

Ending in the Middle Earth

 

World’s Greatest Mom

 

Chap-Hazard

 

Leni Riefen-stalling

 

Gay Straight Talk

Even within sincere and skilled gay cinema, homosexuality is often explored as a social aberrant. “Coming out” stories may be legion, but it is far more difficult to find a quality gay love story that works as love story first and gay story second. Obviously, the fear is that something disingenuous happens in dropping sexuality to a supporting role, as though this relegation is automatically some kind of demotion....


The Making of Rum Diary

During my last visit with Hunter S. Thompson the discussion turned to his “long lost novel” The Rum Diary. We were sitting in his kitchen at Owl Farm sipping Wild Turkey.

“I’m in a weird position.  I’m seeing films about me on television and people writing books about me.  It’s very eerie to live like that!  I try to ignore it.”

Hunter wrote The Rum Diary while still in his 20s and living in Puerto Rico. The...


Short and Swede

When recollecting on the volatile quest for racial equality in the United States during the late 1960s and early 1970s, the obvious first question that springs to mind is “What did Sweden think?” No? Must be just me then…

The Black Power Mixtape 1967-1975 may seek to answer a question nobody asked, but that doesn’t make it any less compelling. Director Göran Olsson has stitched together vintage footage compiled...


Ice Station Zoiks!

Most modern filmmakers prefer two-headed CGI alien-monsters over spooky atmospheric tension, assuming that too much atmosphere would leave today’s younger demographic texting “bored lol” until the theater was lit to daylight by their phones. Matthijs van Heijningen Jr, director of The Thing, is no exception. Although he has created a serviceable prequel to the 1982 John Carpenter flick of the same name,...


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Ex Machina

A brilliant bit of science fiction that works like a tense stage play.

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'71

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