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Speaking of Unholy Abominations…

 

Never Go “Full Arthouse”

 

Ride this Dragon

 

United in Praise

 

Twitter Wars: A New Nope

 

Can Mew Dig It?

 

Fashion Backward

 

Yas, Queens!

 

Beasts of Burden

 

That Boy Ain’t Right

 

Sequel, Heal Thyself

Pretend you were excited for the big screen version of 21 Jump Street. Yeah, nobody believes you. Writers Michael Bacall and Jonah Hill teamed up with directors Phil Lord and Christopher Miller for the most hilarious, self-aware adaptation of a Richard Greico television show ever attempted. A sequel was inevitable. Yet somehow this sequel is far better than we deserve.

As promised at the end of the first film by...


Control-Z Cruise

Every time Tom Cruise, the greatest modern matinee idol, makes a new movie, everybody rushes to fuse artist and art and spews out some variation of “I just don’t like him anymore.” America’s collective moral stance seems to be that we should never forget that someone belongs to a douchey faith but we should purge memories of other horrid things actors have done, like domestic abuse. Disagree? Tell it to Sean Penn’s...


So Choose One, Seth

It would be easier to shrug off writer/director/actor/egomaniac Seth McFarlane’s blatant racism and misogyny if he was funny or had a point. Alas, he isn’t and he doesn’t. A Million Ways to Die in the West is McFarlane’s laborious love letter from himself to his own stupid face and is a continuation of his brotastic brand of “edgy comedy,” which is really just saying awful shit and coyly winking as if to say “ain’t...


Era of Yesterday’s Tomorrows

Of the many things that director Bryan Singer would like to hide and forget, the X-Men movies made without him should be nowhere near the top of his (allegedly) vile list. Still, clearly at Singer’s behest, X-Men: Days of Future Past sticks its fingers in its ears and yells “nananana I can’t hear you” when it comes to preserving the continuity of a film series that has been drudging on for a mind-numbing 14 years...


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