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Home - Film

Baby, It's Cold Outside

Imaginarium of Dr. Parnassus

Snuggle up with the Winter Movie Preview

by Ryan Syrek

News anchors may believe they are the kings and queens of their local information purveyance establishment, but they are mere jesters when compared with the power wielded by weather witches and warlocks. Anchors repeat words; the weather people determine whether we can leave our homes from roughly December to March. In lieu of a pagan sacrifice, as a plea for diminished blizzard-spawning wizardry, the movies in this year’s Winter Movie Preview will be measured against the nastiest seasonal spells, er, “forecasts,” that the climate magicians may deploy.

Up in the Air (Dec. 4)
Partially filmed in Omaha (OK, very, very partially), the latest effort from όber-promising director Jason Reitman follows George Clooney (ever hear of him?) as a corporate frequent flyer who flies around firing folks. Oscar buzz has been more contagious than pork fever (or whatever that new-fangled disease is), so see it early and brag.

Excitement forecast: A 100% chance of huge, manly-man hunks of cool ice falling from the sky.

The Princess and the Frog (Dec. 11)
Hand-drawn Disney movies warmly and kindly raised several generations of children. Sadly, today’s kids have been reared by the cold bastards that are computer-generated movies — until now. Introducing the first black princess (’bout time), Tiana, the film is set in The French Quarter during the Jazz Age. If it avoids Song of the South-ing it’s way along, it may find itself admitted to the elite kids flick pantheon.

Excitement forecast: Fluffy-bunny snowflakes falling for hours. Total accumulation: 1-5 hugs.

Invictus (Limited on Dec. 11)
Morgan Freeman got himself in a bit of scandal, what with the whole affair-with-his-stepdaughter thing (so icky). The only career remedy: play Nelson Mandela alongside Matt Damon in a Clint Eastwood movie. Heavy-handed social themes and massive sports clichιs combined with Eastwood’s beloved touch means this film’s Oscars will win other little baby Oscars.

Excitement forecast: Racist fog gives way to optimistic social light.

Avatar (Dec. 18)
After taking a decade or so to bask in his greatness, James Cameron has returned … with sensitive blue Thundercats? With a rumored $500 million budget, Avatar seems little more than a computer-generated version of Dances With Wolves in space. Every indication suggests this may be the Internet-generation’s Heaven’s Gate. Then again, didn’t they say that about a little flick called Titanic?

Excitement forecast : Chance of rain, 50%. Chance of snow, 50%. Chance of sun, 50%. James Cameron makes his own math.

Nine (Dec. 18)
The film is based on a novel, based on a Tony-award winning musical, based on an Italian play, based on the life of Federico Fellini. Its lineage is only slightly less crowded than its cast, including Nicole Kidman, Marion Cotillard, Penelope Cruz, Sophia Loren, Kate Hudson, Fergie, Judi Dench and Daniel Day-Lewis. If done right, it toe-taps its way to Oscar glory. If done wrong … oh, be serious, it has Daniel Day-Lewis, there is no wrong.

Excitement forecast: Rain, singable and danceable rain.

The Imaginarium of Doctor Parnassus (Limited on Dec. 25)
Director Terry Gilliam can be bizarrely bodacious (see Brazil and 12 Monkeys) or downright dreadful (see The Brothers Grimm). His latest involves a reality-warping journey through a mirror owned by the immortal Dr. Parnassus (Christopher Plummer), a deal with the devil (Tom Waits) and a young hero played by the late Heath Ledger, who passed away midway through shooting. His role was picked up by the trio of Johnny Depp, Jude Law and Colin Farrell, which could be magically delicious or disastrously sour.

Excitement forecast: Temperatures fall below zero, down a rabbit hole into wonderland.

Sherlock Holmes (Dec. 25)
Although casting Robert Downey Jr. as the clever Mr. Holmes has to be as grating to Brits as casting Hugh Grant as Captain America would be to Yanks, the slam-bang, action-oriented attempt from director Guy Ritchie to franchise Sir Arthur Conan Doyle’s creation has the benefit of an assist from Rachel McAdams but the drawback of resembling Will Smith’s big-screen version of Wild, Wild West.

Excitement forecast: A bit from each weather element … ary, dear Watson!

Daybreakers (Jan. 8)
Twilight’s wussification of vampires is nearly complete, but this self-described blend of The Matrix and 28 Days Later attempts to breathe some badass back into the bloodsuckers. Borrowing the social metaphor usually seen in zombie flicks, the film imagines a world where vampires are the majority population, and few humans are left to feed on … so human blood is a metaphor for oil?

Excitement forecast: Overcast enough for the living dead to walk the earth.

Youth in Revolt (Jan. 8)
In this adaptation, Michael Cera plays Nick Twisp, who is so obsessed with gettin’ a little somethin’ somethin’ that he creates an alter ego to facilitate the somethin’ somethin’, but somethin’ somethin’ goes wrong. Yay for low budgets and epic supporting casts (Steve Buscemi, Ray Liotta, Zach Galifianakis)!

Excitement forecast: A bitter wind-chill means you should cuddle with someone … for warmth.

The Book of Eli (Jan. 15)
Post-apocalyptic shenanigans with Denzel Washington squaring off against Gary Oldman? Yes, please. Despite closing in on 60, Washington displays an array of butt kicking in this tale of a man protecting a certain holy book in a world devoid of laws and people.

Excitement forecast: A downpour of acid rain. Mmm, nuclear winter.

The Lovely Bones (Jan. 15)
Having conquered Middle Earth, director Peter Jackson found one unseen, captivating realm with a larger fan base: heaven. This adaptation of the popular novel promises to reveal Jackson’s view of the afterlife and provoke more than a few tears. Opening in New York and L.A. in time to nab nominations, Omahans should know before January if this perspective passes the holy mustard.

Excitement forecast: Plenty of pure, white snow.

Legion (Jan. 22)
In direct opposition to the previous film, this sleeper features Paul Bettany as a fallen angel attempting to fight off the apocalypse by shooting and stabbing stuff. The juxtaposition of angelic wings and copious gunshots could spark a cult classic, but don’t look for an endorsement by church groups.

Excitement forecast: Temperatures are falling … in hell!
24 Nov 2009
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